{"id":224,"date":"2011-03-28T09:16:05","date_gmt":"2011-03-28T16:16:05","guid":{"rendered":"http:\/\/www.dianastevan.com\/?p=224"},"modified":"2011-08-13T17:44:04","modified_gmt":"2011-08-14T00:44:04","slug":"ramping-up-the-tension","status":"publish","type":"post","link":"https:\/\/www.dianastevan.com\/uk\/2011\/writing\/ramping-up-the-tension\/","title":{"rendered":"Ramping up the tension"},"content":{"rendered":"<p>I&#8217;m just about finished reading <em>The Girl Who Kicked The Hornet&#8217;s Nest. <\/em>I find it fascinating to see how Stieg Larsson ramps up the tension as he progresses through his story. He has so many balls in the air, so many characters and sub-plots that by the last eighth of the book, he has the reader jumping from one scene to the next in a very short time.\u00a0 If he hadn&#8217;t done as good a job earlier in setting the stage and giving the details, the reader wouldn&#8217;t be able to keep up.\u00a0 His writing is genius at play.<\/p>","protected":false},"excerpt":{"rendered":"<p>I&#8217;m just about finished reading The Girl Who Kicked The Hornet&#8217;s Nest. I find it fascinating to see how Stieg Larsson ramps up the tension as he progresses through his&hellip; <\/p>","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[4],"tags":[24,29,7,5],"class_list":["post-224","post","type-post","status-publish","format-standard","hentry","category-writing","tag-characters","tag-stieg-larsson","tag-story","tag-writing-2"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p1LuVB-3C","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":218,"url":"https:\/\/www.dianastevan.com\/uk\/2011\/writing\/exposition\/","url_meta":{"origin":224,"position":0},"title":"Exposition","author":"Diana Stevan","date":"25 \u0411\u0435\u0440\u0435\u0437\u043d\u044f, 2011","format":false,"excerpt":"In our writing group last night, we discussed exposition and the need to weave it into the\u00a0 scenes seamlessly.\u00a0 It's every writer's challenge. How do you give background information so that it naturally flows out of what is happening to your characters? My Baba (grandmother), whose story I am now\u2026","rel":"","context":"\u0423 &quot;Writing&quot;","block_context":{"text":"Writing","link":"https:\/\/www.dianastevan.com\/uk\/category\/writing\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.dianastevan.com\/wp-content\/uploads\/2011\/03\/P10902831-300x225.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":212,"url":"https:\/\/www.dianastevan.com\/uk\/2011\/writing\/breaking-the-rules\/","url_meta":{"origin":224,"position":1},"title":"Breaking the rules","author":"Diana Stevan","date":"17 \u0411\u0435\u0440\u0435\u0437\u043d\u044f, 2011","format":false,"excerpt":"Like any other professional, a writer never stops honing his craft.\u00a0 There are so many \"dos\" and \"don'ts\" in articles on how to write, that if an author tried to follow them all, he could cripple himself in the process. Whatever passion he was trying to convey could be lost\u2026","rel":"","context":"\u0423 &quot;Writing&quot;","block_context":{"text":"Writing","link":"https:\/\/www.dianastevan.com\/uk\/category\/writing\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":168,"url":"https:\/\/www.dianastevan.com\/uk\/2011\/writing\/prologues\/","url_meta":{"origin":224,"position":2},"title":"Prologues","author":"Diana Stevan","date":"3 \u0411\u0435\u0440\u0435\u0437\u043d\u044f, 2011","format":false,"excerpt":"In my second novel, I wrote a prologue. I've agonized over it, as it's not short. As an avid reader, I've had mixed feelings about reading prologues, sometimes enjoying them, and sometimes feeling it's taken the author too long to get going. So, I went online to see what others\u2026","rel":"","context":"\u0423 &quot;Writing&quot;","block_context":{"text":"Writing","link":"https:\/\/www.dianastevan.com\/uk\/category\/writing\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":198,"url":"https:\/\/www.dianastevan.com\/uk\/2011\/writing\/point-of-view\/","url_meta":{"origin":224,"position":3},"title":"Point of View","author":"Diana Stevan","date":"6 \u0411\u0435\u0440\u0435\u0437\u043d\u044f, 2011","format":false,"excerpt":"As a member of Rivercity Writers group for several years now, we've had numerous discussions about point of view in writing. Too much head swapping can be confusing. And yet, it's also insulting to the reader to think he can't follow changing POVs.\u00a0 In Stieg Larsson's second book of his\u2026","rel":"","context":"\u0423 &quot;Writing&quot;","block_context":{"text":"Writing","link":"https:\/\/www.dianastevan.com\/uk\/category\/writing\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":136,"url":"https:\/\/www.dianastevan.com\/uk\/2011\/writing\/the-novel\/","url_meta":{"origin":224,"position":4},"title":"The Novel: The Girl With The Dragon Tattoo","author":"Diana Stevan","date":"24 \u041b\u044e\u0442\u043e\u0433\u043e, 2011","format":false,"excerpt":"I am currently engrossed in reading The Girl With The Dragon Tattoo by Stieg Larsson. At first, I wasn't sure about starting it, as I heard the film was extremely violent. But films and books are so different. I've rarely found a film work well from a book I've liked.\u00a0\u2026","rel":"","context":"\u0423 &quot;Film&quot;","block_context":{"text":"Film","link":"https:\/\/www.dianastevan.com\/uk\/category\/film-2\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":152,"url":"https:\/\/www.dianastevan.com\/uk\/2011\/writing\/adapting-for-the-screen\/","url_meta":{"origin":224,"position":5},"title":"Adapting for the screen","author":"Diana Stevan","date":"27 \u041b\u044e\u0442\u043e\u0433\u043e, 2011","format":false,"excerpt":"I'd mentioned earlier that I rarely like an adaption of a book for the screen. The exception is The Girl With The Dragon Tattoo by Stieg Larsson. The film, although different from the book in a number of details, is brilliant. It's faithful to the story and beautifully cast and\u2026","rel":"","context":"\u0423 &quot;Film&quot;","block_context":{"text":"Film","link":"https:\/\/www.dianastevan.com\/uk\/category\/film-2\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.dianastevan.com\/uk\/wp-json\/wp\/v2\/posts\/224","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.dianastevan.com\/uk\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.dianastevan.com\/uk\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.dianastevan.com\/uk\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.dianastevan.com\/uk\/wp-json\/wp\/v2\/comments?post=224"}],"version-history":[{"count":0,"href":"https:\/\/www.dianastevan.com\/uk\/wp-json\/wp\/v2\/posts\/224\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.dianastevan.com\/uk\/wp-json\/wp\/v2\/media?parent=224"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.dianastevan.com\/uk\/wp-json\/wp\/v2\/categories?post=224"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.dianastevan.com\/uk\/wp-json\/wp\/v2\/tags?post=224"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}