{"id":152,"date":"2011-02-27T15:16:06","date_gmt":"2011-02-27T23:16:06","guid":{"rendered":"http:\/\/www.dianastevan.com\/?p=152"},"modified":"2011-08-13T18:00:14","modified_gmt":"2011-08-14T01:00:14","slug":"adapting-for-the-screen","status":"publish","type":"post","link":"https:\/\/www.dianastevan.com\/uk\/2011\/writing\/adapting-for-the-screen\/","title":{"rendered":"Adapting for the screen"},"content":{"rendered":"<p>I&#8217;d mentioned earlier that I rarely like an adaption of a book for the screen. The exception is <em>The Girl With The Dragon Tattoo by <\/em>Stieg Larsson<em>. <\/em>The film, although different from the book in a number of details, is brilliant. It&#8217;s faithful to the story and beautifully cast and acted. The sound composition underscores the chilly nature of the author&#8217;s theme. What works is story, story, story, which is what Robert McKee and Christopher Vogler emphasize in their screenwriting workshops. I wonder what Hollywood will bring to this story that&#8217;ll be different? When you&#8217;ve already got a good thing, why play with it?<\/p>","protected":false},"excerpt":{"rendered":"<p>I&#8217;d mentioned earlier that I rarely like an adaption of a book for the screen. The exception is The Girl With The Dragon Tattoo by Stieg Larsson. The film, although&hellip; <\/p>","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[82,4],"tags":[31,138,137,32,136,7],"class_list":["post-152","post","type-post","status-publish","format-standard","hentry","category-film-2","category-writing","tag-adaptation","tag-christopher-vogler","tag-robert-mckee","tag-screenwriting","tag-stiegg-larsson","tag-story"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p1LuVB-2s","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":796,"url":"https:\/\/www.dianastevan.com\/uk\/2012\/writing\/storytelling-in-the-artist-and-the-descendants\/","url_meta":{"origin":152,"position":0},"title":"Storytelling In THE ARTIST and THE DESCENDANTS","author":"Diana Stevan","date":"4 \u0421\u0456\u0447\u043d\u044f, 2012","format":false,"excerpt":"I started off the new year by seeing THE ARTIST, superbly directed and written by\u00a0Michel Hazanavicius. It\u2019s a curious film, since it\u2019s mostly silent\u2014except for the musical score and a few bits of dialogue at the end. It\u2019s also shot in black and white. A brave endeavor indeed in this\u2026","rel":"","context":"\u0423 &quot;Film&quot;","block_context":{"text":"Film","link":"https:\/\/www.dianastevan.com\/uk\/category\/film-2\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.dianastevan.com\/wp-content\/uploads\/2012\/01\/The-Artist-202x300.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2371,"url":"https:\/\/www.dianastevan.com\/uk\/2015\/film-2\/a-visit-to-mars\/","url_meta":{"origin":152,"position":1},"title":"A Visit To Mars","author":"Diana Stevan","date":"23 \u0416\u043e\u0432\u0442\u043d\u044f, 2015","format":false,"excerpt":"For all the talk about a visit to Mars, there is nothing like a film to give you some idea of what that experience might be like. Of course, a visit to Mars looks and feels a lot different when you're sitting safely in a theatre in the midst of\u2026","rel":"","context":"\u0423 &quot;Books&quot;","block_context":{"text":"Books","link":"https:\/\/www.dianastevan.com\/uk\/category\/books\/"},"img":{"alt_text":"41-YkFaghDL._SX302_BO1,204,203,200_","src":"https:\/\/i0.wp.com\/www.dianastevan.com\/wp-content\/uploads\/2015\/10\/41-YkFaghDL._SX302_BO1204203200_-183x300.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":859,"url":"https:\/\/www.dianastevan.com\/uk\/2012\/writing\/asghar-farhadis-film-a-separtion-universal-film-and-story\/","url_meta":{"origin":152,"position":2},"title":"Asghar Farhadi&#8217;s Film, A Separation &#8211; A Universal Film and Story","author":"Diana Stevan","date":"29 \u041b\u044e\u0442\u043e\u0433\u043e, 2012","format":false,"excerpt":"I saw Asghar Farhadi's film,\u00a0A Separation, the week before it won best foreign film at the Oscars.\u00a0 Shot in a very intimate fashion\u2014no panoramic shots of city or country\u2014this film tells a story that could be told anywhere. The movie's about a man struggling with a father who has Alzheimer's\u2026","rel":"","context":"\u0423 &quot;Film&quot;","block_context":{"text":"Film","link":"https:\/\/www.dianastevan.com\/uk\/category\/film-2\/"},"img":{"alt_text":"Asghar Farhadi","src":"https:\/\/i0.wp.com\/www.dianastevan.com\/wp-content\/uploads\/2012\/02\/A-Separation-202x300.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":136,"url":"https:\/\/www.dianastevan.com\/uk\/2011\/writing\/the-novel\/","url_meta":{"origin":152,"position":3},"title":"The Novel: The Girl With The Dragon Tattoo","author":"Diana Stevan","date":"24 \u041b\u044e\u0442\u043e\u0433\u043e, 2011","format":false,"excerpt":"I am currently engrossed in reading The Girl With The Dragon Tattoo by Stieg Larsson. At first, I wasn't sure about starting it, as I heard the film was extremely violent. But films and books are so different. I've rarely found a film work well from a book I've liked.\u00a0\u2026","rel":"","context":"\u0423 &quot;Film&quot;","block_context":{"text":"Film","link":"https:\/\/www.dianastevan.com\/uk\/category\/film-2\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":212,"url":"https:\/\/www.dianastevan.com\/uk\/2011\/writing\/breaking-the-rules\/","url_meta":{"origin":152,"position":4},"title":"Breaking the rules","author":"Diana Stevan","date":"17 \u0411\u0435\u0440\u0435\u0437\u043d\u044f, 2011","format":false,"excerpt":"Like any other professional, a writer never stops honing his craft.\u00a0 There are so many \"dos\" and \"don'ts\" in articles on how to write, that if an author tried to follow them all, he could cripple himself in the process. Whatever passion he was trying to convey could be lost\u2026","rel":"","context":"\u0423 &quot;Writing&quot;","block_context":{"text":"Writing","link":"https:\/\/www.dianastevan.com\/uk\/category\/writing\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":218,"url":"https:\/\/www.dianastevan.com\/uk\/2011\/writing\/exposition\/","url_meta":{"origin":152,"position":5},"title":"Exposition","author":"Diana Stevan","date":"25 \u0411\u0435\u0440\u0435\u0437\u043d\u044f, 2011","format":false,"excerpt":"In our writing group last night, we discussed exposition and the need to weave it into the\u00a0 scenes seamlessly.\u00a0 It's every writer's challenge. How do you give background information so that it naturally flows out of what is happening to your characters? My Baba (grandmother), whose story I am now\u2026","rel":"","context":"\u0423 &quot;Writing&quot;","block_context":{"text":"Writing","link":"https:\/\/www.dianastevan.com\/uk\/category\/writing\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.dianastevan.com\/wp-content\/uploads\/2011\/03\/P10902831-300x225.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.dianastevan.com\/uk\/wp-json\/wp\/v2\/posts\/152","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.dianastevan.com\/uk\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.dianastevan.com\/uk\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.dianastevan.com\/uk\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.dianastevan.com\/uk\/wp-json\/wp\/v2\/comments?post=152"}],"version-history":[{"count":0,"href":"https:\/\/www.dianastevan.com\/uk\/wp-json\/wp\/v2\/posts\/152\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.dianastevan.com\/uk\/wp-json\/wp\/v2\/media?parent=152"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.dianastevan.com\/uk\/wp-json\/wp\/v2\/categories?post=152"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.dianastevan.com\/uk\/wp-json\/wp\/v2\/tags?post=152"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}